What is it like to “feel historical”? In Foundlings Christopher Nealon analyzes texts produced by American gay men and lesbians in the first half of the twentieth century—poems by Hart Crane, novels […]
This book is a study of Chaucer’s words. It describes how these words became evidence for calling Chaucer the “father of English poetry” but, also, why that label is wrong. […]
In this provocative and wide-ranging study, Douglas Mao argues that a profound tension between veneration of human production and anxiety about production’s dangers lay at the heart of literary modernism. […]
This powerful book argues that white culture in America does not exist apart from black culture. The revolution of the rights of man that established this country collided long ago […]
An introduction to Victorian sexualities and a survey of current critical methods, these essays will energize reflection on the complexity of human sexuality and on the many different arrays of […]
Drawing on recent work in critical theory, feminism, and social history, this book explains the relationship between the novel and the emergent commodity culture of Victorian England, using the image […]
The essays in this collection question romanticism’s suppression of the feminine, the material, and the collective, and its opposition to readings centering on these concerns.
The literary importance of letters did not end with the demise of the eighteenth-century epistolary novel. In the turbulent period between 1789 and 1830, the letter was used as a […]
A determined study of the political evidence, of contemporary literature and of sociological documents.